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Kuniye

Cr\u00e9dits : 123RF<\/figcaption><\/figure>\n

On peut tout cr\u00e9er avec une intelligence artificielle aujourd\u2019hui. Des articles, en imitant le style d\u2019un journaliste. Tout ou partie d\u2019images et de photos, voire m\u00eame des peintures en singeant le style d\u2019un artiste. Des vid\u00e9os. Et m\u00eame de la musique. Certains morceaux r\u00e9cents ont \u00e9t\u00e9 produits \u00e0 l\u2019aide de l\u2019intelligence artificielle, comme “Now and then<\/strong>“, le dernier single des Beatles, compos\u00e9 en 1978 par John Lennon et disponible en streaming en novembre 2023.<\/p>\n

Dans ce cas, l\u2019IA a principalement servi \u00e0 isoler la voix de John Lennon. Mais pour d\u2019autres chansons, le mod\u00e8le a particip\u00e9 \u00e0 la cr\u00e9ation du morceau. C\u2019est le cas de “Heart on my Sleeve”<\/a>, une chanson cr\u00e9\u00e9e avec une IA par un utilisateur de TikTok, en imitant la voix d\u2019artistes r\u00e9els (ici Drake et The Weeknd). Au-del\u00e0 de l\u2019aspect l\u00e9gal de ce \u00ab\u00a0deepfake\u00a0\u00bb int\u00e9grant deux artistes, une autre question se pose \u00e0 propos des contenus cr\u00e9\u00e9s avec une IA : les artistes qui ont particip\u00e9 \u00e0 l\u2019entrainement du mod\u00e8le g\u00e9n\u00e9ratif doivent-ils \u00eatre r\u00e9mun\u00e9r\u00e9s ?<\/p>\n